Webster’s defines a talisman as “an object held to act as a charm to avert evil or bring good fortune.”

I grew up with talismans, mostly religious, rosary beads and such. Now that I write fantasy, I have a few around my computer. They serve as potent reminders that supernatural elements are integral to my stories. And if they bring me luck, well, I won’t say no. 😉

The first two are rattles, good for shaking when my mind is stuck. One comes from Yosemite, brown and round and open-mouthed, ready to whisper words of encouragement. Another was forged from a Gerber baby spoon. How clever is that? Helps me focus on my young audience.


The other three are power stones I bought in Maui. The dragon, my Chinese astrological sign as well, symbolizes wisdom and nobility. The hummingbird stands for joy, miracles, and beauty. The seahorse brings confidence and grace. All qualities I’d like my work to reflect.

How about you? Got any lucky charms?


As I work with editors, I’m learning a few strategies to guide revisions. Here’s a brief rundown:


This doesn’t mean getting microscopic. I have to justify whatever I include, consider its relevance. It helps to ask two questions: Why here? Why now? (Actually, these are terrific questions to ask about every part of a story.)


Action is followed by reaction, not the reverse.

An example from my book, JEWEL OF THE GODS:

Old version: Nyada cried out at the blood oozing from the Elder’s forehead. “Gods help us, she’s dead!”

New version: Nyada smoothed back the strands of hair hanging over Sister Saule’s forehead. Her fingers came away smeared with blood. “Gods help us,” she cried. “She’s dead!”

  1.  PACING

I have a tendency to write lean, which can make for a rushed telling. I’m learning to slow down and look deeply into my story. Every scene has a purpose and needs to be developed fully. Sandra Scofield’s THE SCENE BOOK (link below) is the best book I’ve found for ensuring your scenes contain the necessary elements.


I was familiar with this concept, but composing a GMC chart for every character gave me clarity and insight that really helped me stay on point. With a GMC printout to guide me, I’m less likely to have a character speak or act in ways that don’t ring true—no more “out of character” moments. One editor recommended Debra Dixon’s excellent book, GOAL, MOTIVATION & CONFLICT (link below), and I can’t thank her enough.

There you have it. Four easy steps to help with revisions. I hope you find them useful.


Links to books mentioned:

Sandra Scofield, THE SCENE BOOK, A Primer for the Fiction Writer

Debra Dixon, GMC: GOAL, MOTIVATION and CONFLICT: The Building Blocks of Good Fiction

Thanks for reading!


Terrific news: WORSE THAN WICKED, my YA fantasy, is now Hot at Kindle Scout! This category fluctuates, so there’s no telling how long it will stay there, but I’m encouraged by this surge of interest.

If you’re unfamiliar with Kindle Scout, it’s an Amazon program that invites readers to nominate books for possible publication.

Check it out here: http://amzn.to/2FsdoY8